Platinum Sponsors
Pageflex Konica Minolta All in Print Canon See Impossible Graph Expo 2016
Platinum Sponsors
Pageflex Konica Minolta All in Print Canon See Impossible Graph Expo 2016
Print Industry Search EngineEnhanced by Outputlinks
American Printer1800+ Print Sites

Channels Served

Binding & FinishingCtpDigital PressesEnvironmentHow ToInkjet Wide FormatIn-PlantPaper InkSheetfedSmall Commercial PrintersWeb PressesWork Flow
Media/Partner
Graph Expo 2016
Print Industry Search EngineEnhanced by Outputlinks
American Printer1800+ Print Sites

The Pressroom: Hitting Color, part 5

We made it! Final destination: the pressroom.

The pressroom is the ultimate customer of scanning and prepress. The measurement and control of these variables are paramount for process control in the pressroom. In theory, we are at the last device; in reality, it’s the first! We must first know the print conditions of the press before scanningproofing and platemaking can be accurate. Fortunately, we have some specifications like SWOP and GRACoL to guide us.

When everything has been done accurately in prepress and we have good plates, we’re ready to print. Our machine-specific press settings should be checked and measured. With new blankets, we should run a PIA/GATF test form.

This form should be evaluated and measured against the SWOP numbers for density, dot gain, gray balance, print contrast, etc. Any mechanical problems will show on the test form’s diagnostic elements, and should be corrected immediately. Hopefully, the press prints within specification. If not, you might need a PIA/GATF consultant to help with this evaluation.

Density values

Solid ink density is the measurement of a solid printed patch on the paper, including the paper density. It generally relates to ink film thickness, but a higher “pigment load” ink will measure the same density at a “thinner” ink film thickness. This helps control dot gain while meeting density requirements.

Dot gain is the measurement of the increase in tone value (TVI) from original file to the printed sheet. An imaged piece of film will measure 50 percent; after plating, it becomes 54-58 percent; when printed, it becomes 70 percent, which includes all these steps.

Have you heard that CTP prints “sharper”? It does, but why? The main reason is that we make the plates linear (similar to the imagesetter) but there isn’t that four to eight percent “bump” from traditional platemaking. Be aware that you might need to add “weight” to the CTP system to match images that printed fine in the past. On the other hand, if you printed with too much gain in the past, CTP will help your print condition. Beware that CTP can “mask” problems present in the pressroom.

All of the following specifications are from SWOP.

The density values include paper and are “Status T” responses.

At press, we need a good densitometer that reads density, dot gain, gray balance and print contrast. These measurements are used to establish the printing condition and its relationship to SWOP or the proof. I have described the importance of gray balance control in prepress, and now we need to measure it at the press.

How gray is gray?

The first method is to use the densitometer to measure the density of the midtone 3/color build (50C/40M/40Y). Set the densitometer to read “ALL” filters and measure the density. The overall density should be around 0.60 (+/- 0.05). Now go through the color channels and record the density of each color: C, M and Y (these measurements are the corresponding Red-Green-Blue filter readings).

When the RGB numbers are the same, you are neutral in color. If the numbers are higher than desired but equal, we have a “darker” gray. If the numbers are lower than desired but equal, we have a “lighter” gray. If any of the numbers are spread by 0.03, the color will be “casted” in that direction.

Patches reveal dot gain

The second method is to measure patches of 50 percent as dot gain. The procedure is to set the densitometer to measure dot area or dot gain. The procedure: Zero out the paper, then measure the solid patch, then the 50 percent tint. The result will be “dot gain,” a value of increase from the 50 percent patch (i.e., 20 percent). If we measured as “dot area,” the value would read 70 percent. When these values are correct, gray balance will be achieved and appear gray.

Contrast

One other measurement is print contrast, the difference between the solid ink density and a 75 percent tint. The contrast reference is a measurement of print quality. When the percentage drops, the 75 percent patch begins to fill in and plug, showing poor print quality.

All of this applies if the scanning and proofing are controlled. If not, the press operator makes adjustments to the solid ink density to “match” a proof or sample. The increase or decrease in density reflects a change in dot gain: More ink, more gain; less ink, less gain.

By printing to a standard (SWOP), we can define the print condition and prepress can adjust for a stable and controlled process.

NOTE: these are the “old values.” SWOP and GRACoL are in the process of re-establishing the specifications and tolerances using the new G7 methodology based on gray balance and colormetric values. I include this data for printers that are printing four color work on a two color press. But, these are good starting numbers.

Old SWOP has the following value and tolerance:

Cyan: 1.30, 20 percent gain, 40 percent print contrast

Magenta: 1.40, 20 percent gain, 40 percent print contrast

Yellow: 1.00, 18 percent gain, 35 percent print contrast

Black: 1.65, 22 percent gain, 40 percent print contrast

Density tolerance: +/- 0.05

Dot gain tolerance: +/- 3 percent

Print contrast: +/- 0.5 percent

Now that we realize the tolerances required and can measure the standard deviation of the press, we can help the pressroom by using GCR in scanning. The use of GCR will allow for a wider deviation of the press without “changing” the color at press. The concept is to remove the graying component of the Y-M-C values and replace with black. This process reduces the size of the color dots and increases the value of the black dots. This reduced size of Y-M-C dots allows the press to increase or decrease dot gain without changing the color on press. The only concern is the black: If printed too “heavy,” the color will be darker and muddy.

Color management

The idea of color management is to measure each device and profile its color space. By attaching this profile to the file, the next device can interpret the desired color. To do this correctly, we need to print an IT.8 target or the new ECI target on press at the correct density, dot gain, print contrast and gray balance. This data, through software, can be used in proofing and scanning to match the established print condition. It absolutely cannot happen without process control. Without defined measurement procedures and controlled tolerances, color management will fail.

I hope we have helped your process control methods, and I welcome your questions and comments.

Dan Remaley has 30 years of experience in color lithography. He is senior technical consultant of process control for PIA/GATF. Contact him at (412) 259-1814 or dremaley@piagatf.org.

Leave a comment

All comments are reviewed prior to posting.

Make sure you enter the (*) required information where indicated.Basic HTML code is allowed.



Print Industry Search EngineEnhanced by Outputlinks
American Printer1800+ Print Sites

Channels Served
Binding & FinishingCtpDigital PressesEnvironmentHow ToInkjet Wide FormatIn-PlantPaper InkSheetfedSmall Commercial PrintersWeb PressesWork Flow
Platinum Sponsors
Pageflex Konica Minolta All in Print Canon See Impossible Graph Expo 2016
Platinum Sponsors
Pageflex Konica Minolta All in Print Canon See Impossible Graph Expo 2016
Gold Sponsors
Bell Howell
XMPie
MB Bauerle
PGSF
BCC Software
Pixartprinting
Media/Partners
Graph Expo 2016
OutputLinks Communications Group Sites
OL Group
Corporate Headquarters
OutputLinks Communications Group
2100 West Loop South, Suite 900
Houston, Texas 77027-3515
Phone: +1 713-300-0674
Admin@OutputLinksCG.com
Financial Supporters
Corporate Headquarters
OutputLinks Communications Group
2100 West Loop South, Suite 900
Houston, Texas 77027-3515
Phone: +1 713-300-0674
Admin@OutputLinksCG.com